Pasar Pulung Kencana in Tulang Bawang Barat, Lampung, represents a bold departure from the typical aesthetic of traditional Indonesian marketplaces. Designed by the renowned architect Andra Matin, the structure abandons the cramped, dark corridors of conventional bazaars in favor of a sprawling, open-air pavilion. Built primarily from raw, exposed concrete and spanning roughly 1.5 hectares, the market functions as a hybrid space where commerce, culture, and community gather under one roof. By utilizing high ceilings and wide pedestrian ramps instead of stairs, the design ensures a seamless flow for both shoppers and vendors, elevating a simple trading post into a world-class architectural landmark.

The most striking feature of the building is its intricate "second skin," a massive facade composed of recycled synthetic rattan that wraps around the concrete core. This element is a modern homage to the traditional weaving crafts of the Lampung region, transforming a functional wall into a giant piece of textural art. By scaling up the pattern of a simple basket or mat to the size of a building, the architect has created a visual identity that feels deeply rooted in local heritage while maintaining a sharp, contemporary edge. This woven screen serves as the building’s primary visual signature, softening the industrial weight of the concrete with a warm, organic texture.

Beyond its beauty, this weaving facade is a masterclass in passive tropical design and environmental sustainability. The porous nature of the rattan allows for constant cross-ventilation, enabling the building to "breathe" and remain cool naturally without the need for mechanical air conditioning. During the day, the screen filters the intense Indonesian sun into a soft, dappled light that illuminates the stalls without the glare, while at night, the interior lights seep through the gaps, turning the entire market into a glowing lantern. This clever use of materials not only reduces energy consumption but also creates a sensory experience where light, shadow, and breeze are as much a part of the architecture as the walls themselves.